HomeMy WebLinkAbout2006 06 26 Public Hearing 204 Aesthetic Review West End Offices
COMMISSION AGENDA
June 26, 2006
Meeting
Consent
Informational
Public Hearing
Regular
MGR. P--- /DEPT
Authorizatio
x
ITEM 204
REQUEST:
The Community Development Department- Planning Division requests the City Commission hold a
Public Hearing for the Aesthetic Review for West End Offices located on SR 434 in the Town
Center.
PURPOSE: To encourage creative, effective, and flexible architectural standards and cohesive
community development consistent with the intent and purpose of Article XI - Minimum Community
Appearance and Aesthetic Review Standards.
APPLICABLE LAW AND PUBLIC POLICY:
Ordinance 2003-43, Aesthetic Review Standards, City afWinter Springs
Section 9-601. Approval prerequisite for permits.
Section 9-605. Submittal requirements.
RECOMMENDED RESOURCE:
William H. Whyte is widely recognized for his seminal work in the study of human behavior in urban
settings. While working with the New York City Planning Commission in 1969, Whyte began to wonder
how newly planned city spaces were actually working out - something that no one had previously
researched. This curiosity led to his pioneering research in the study of pedestrian behavior and city
dynamics. Whyte's analysis found that plaza use is based on the amount of sittable space and that
people tend to sit where there are places to sit. Whyte wrote that the social life in public spaces
contributes fundamentally to the quality of life of individuals and society. He suggested that we have a
moral responsibility to create physical places that facilitate civic engagement and community
interaction. Many of Whyte's recommendations are common sense, such as "people use spaces that
are easy to use, that are comfortable. They don't use the spaces that are not." Whyte recommended 1
LF of sitting space for every 30 SF of open space. Although private plazas for public use may be legally
required to be accessible by the public, many have been effectively privatized or are so uninviting that
no one wants to use them. Included as a Supplement within your Agenda Packet from
httlJ:/Iwww.IJDS.ora are: 10 Principles for Creating Successful Squares; What Makes A Great Place?; and
The Benefits of Place. These documents are intended as resource for the Commission as the Town
Center ORC.
CHRONOLOGY:
Feb. 27. 2006- Commission Review ofthe Conceptual Plan
June 26, 2006
PUBUC HEARING ITEM 204
This review did not authorize any deviations, variations or variances from the code.
CONSIDERATIONS:
This project is located on the south side of SR 434, immediately west of Jesup's Reserve in the Town
Center. It includes two matching, symmetrical office buildings, each three stories in height and setback
back 45' from the SR 434 right-of-way. Although the Town Center Code requires buildings to be no
more than 10-feet off of the street ROW, early discussions between Staff, Dover-Kohl and the Applicant
resulted in the building being located as shown, in exchange for the Applicant providing a public plaza
at the front of the buildings. This concept was favorably reviewed by the Commission at the February
27,2006 meeting. However, this review did not authorize any deviations, variations or variances from
the code.
The final engineering is expected to be finalized and submitted to the Commission in July.
Any deviations, variations or variances from the code that are illustrated and approved as part of this
Aesthetic Review will need to be memorialized in a Development Agreement.
The submittal requirements for aesthetic review are set forth in Section 9-605 and include the
following: (a) a site plan; (b) elevations illustrating all sides of structures facing public streets or
spaces; (c) illustrations of all walls, fences, and other accessory structures and the indication ofheight
and their associated materials; (d) elevation of proposed exterior permanent signs or other
constructed elements other than habitable space, if any; (e) illustrations of materials, texture, and
colors to be used on all buildings, accessory structures, exterior signs; and (f) other architectural and
engineering data as may be required. The procedures for review and approval are set forth in Section
9-603.
The City Commission may approve, approve with conditions, or disapprove the application only
after consideration ofwhether the following criteria have been satisfied:
(1) The plans and specifications of the proposed project indicate that the setting, landscaping,
proportions, materials, colors, textures, scale, unity, balance, rhythm, contrast, and simplicity are
coordinated in a harmonious manner relevant to the particular proposal, surrounding area and cultural
character of the community.
Harmony is particularly important within the Town Center. It is therefore critical that certain elements
be coordinated. It is not enough to consider a project on its own merits, but it must be viewed within its
context in the Town Center. Particularly important with this proposal is its relationship to Jesups
Reserve.
The graphic below gives some indication of the architectural relationship of the West End Centre to
Jesups Reserve as it would appear from SR 434. The West End Centre buildings will be constructed of
tilt-up concrete finished in a textured coating and painted in neutral colors which include a white, light
gray and darker gray for the simulated stone base. An expression line separating the first and second
floors is included. Windows have a green tint. Doorways lead out to an extensive balcony system on
the second and third floors. Awnings are included as an architectural embellishment to provide accent
and contrast to the rest of the building. (These awnings are not intended to provide shade for
pedestrians.) Depth of balconies and awnings is not known. Railings and window frames are black and
the roofing is a standing seam metal roof.
Building 35 also utilizes gray tones with white trim. Although the red awning appears to clash with the
door color of building 35, in reality the two reds are exactly the same.
Both buildings are three stories and include porchesl balconies. The West End roofline includes a
combination of a flat roof with a pitched roofline at the center. These architectural features and colors
June 26, 2006
PUBUC HEARING ITEM 204
harmonize well.
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West End Office Centre
Building I Building 35
Jesups Reserve
In addition, both projects include a double row of trees along SR 434. The Applicant is proposing 'Little
Gem' Magnolia at 30' o.c. However, the existing pattern of street trees (species and spacing) approved
in the SR 434 ROW (Quercus virginiana 'Highrise', 40-feet on center) should be continued rather than
utilizing a different spacing and species for this site. The second row of trees does not have to
replicate Jesups Reserve and should be selected based on the best species for the plaza location.
The project dumpster is effectively shielded from adjacent townhouses through the use of a trellis
covering as part of the dumpster enclosure. The vertical members are 3x8's spaced 16" o.c.
No details on the selected lights (luminaries or posts) are included in the submittal. The selected lights
and regulatory signage must meet the upgraded Town Center standard being implemented by other
projects. Will the project include landscape lighting and will the front fac;ade of the building include
fac;ade lighting? The regulatory signage included in the Final Engineering drawings is not acceptable
because it does not maintain this harmony.
(2) The plans for the proposed project are in harmony with any future development which has been
formally approved by the City within the surrounding area.
The project's harmony with Jesups Reserve has already been discussed. Villa Grande (the proposed
development to the north across SR 434) has not yet received Final Engineering or Aesthetic Review
approval.
(3) The plans for the proposed project are not excessively similar or dissimilar to any other building,
structure or sign which is either fully constructed, permitted but not fully constructed, or included on
the same permit application, and facing upon the same or intersecting street within five hundred (500)
feet of the proposed site, with respect to one or more ofthe following features of exterior design and
appearance:
(A) Front or side elevations,
(B) Size and arrangement of elevation facing the street, including reverse arrangement,
(C) Other significant features of design such as, but not limited to: materials, roofline, hardscape improvements, and
height or design elements.
The project includes two office buildings that are identical, each three stories in height, with matched
plaza areas along SR 434.
(4) The plans for the proposed project are in harmony with, or significantly enhance, the established
character of other buildings, structures or signs in the surrounding area with respect to architectural
specifications and design features deemed significant based upon commonly accepted architectural
principles ofthe local community.
The proposed matching buildings are very attractive and will enhance the character of the area. See
June 26, 2006
PUBUC HEARING ITEM 204
extensive discussion of plaza area under (6).
(5) The proposed project is consistent and compatible with the intent and purpose ofthis Article, the
Comprehensive Plan for Winter Springs, design criteria adopted by the city (e.g. SR 434 design
specifications) and other applicable federal state or local laws.
The West End Office Centre buildings meets the requirements of the city's design criteria as specified
in the Code.
(6) The proposed project has incorporated significant architectural enhancements such as concrete
masonry units with stucco, marble, termite-resistant wood, wrought iron, brick, columns and piers,
porches, arches, fountains, planting areas, display windows, and other distinctive design detailing and
promoting the character of the community.
As previously mentioned, the Applicant was allowed to have the building situated 45' from the SR 434 right-of-
way, in exchange for the Applicant providing a publiC plaza at the front of the buildings. Each plaza includes
approximately 10,000 SF of open space. The paved area is surfaced with 2-1/2" thick clay terra pavers in white,
gray and peach, edged with a continuous concrete ribbon curb. Included is a low 22" free standing seating wall
that steps out from the building entrance and then back along the entrance drive. Nine-foot high columns
punctuate the corners at each 90 degree turn of the wall. The 3-D rendering appears to included some shorter
columns, but no shorter column detail is included. Although the rendering does not illustrate it, other drawings
indicate columns dividing the lengthier expanses into 1 O-foot sections. The seating wall is detailed with a slightly
peaked cap (see page "0"). Staff recommends a flat cap to accommodate seating.
The 20-foot DOT ROW is planted with trees and grass. The pattern of street trees (species and spacing)
approved along SR 434 (Quercus virginiana Highrise 40' on center) should be continued rather than utilizing a
different spacing and species for this site. Another row of trees, is located between the ROWand the building.
Dover-Kohl has com mented that "The double row of trees with the outer trees in a green strip and the inner row
in tree wells, should give the road a good, strong defined edge and help pedestrians to feel protected from the
fast-moving travel lanes."
Staff recommends that four of the trees (out of six) in front of each building be placed in a raised planter
surrounded by a seating wall to provide shaded seating, give added protection to the trees, and break up the
flatness of the space. The two trees immediately in front of the entrance should not include a seating wall, so
that the entrance remains un-obscured. The Applicant currently proposes all trees to be at the same grade as
the plaza without tree grates and indicates that "ample seating has been provided." William Whyte
recommends 1 LF of sitting space for every 30 SF of open space. Given these figures, each plaza needs and
an additional 100 LF of seating.
Initial renderings of the plaza illustrated steps leading to a fountain at the entrance of the building, this
detail has been removed from the drawings. The provision of the steps at the building entrance gave
definition to the space and increased the prominence of the building The Applicant has indicated that
"Steps have been removed to facilitate accessibility for the public" and "The fountain was eliminated to
avoid long-term maintenance problems and liability issues",
June 26, 2006
PUBUC HEARING ITEM 204
Conceptual Review Elevation of West End Office Centre
During Concept Review by the Commission on Feb. 27, 2006, Commissioner Miller indicated, "There
should be a fountain on the North elevation." The Applicant responded by saying, "There will be an
architectural feature there, whether it is a fountain, or a sculpture, or whether it is a garden- that has yet
to be determined and we will bring that up in the Aesthetic Review."
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A fountain is not included, despite Commissioner Miller (see 02-27-06, Minutes) and Staff's request.
Fountains enliven public spaces and add an element of interest and focus. Although a fountain is
preferred, the Applicant could opt for a large bronze sculpture at the entrance to each building, such as
the Iifesize sculpture illustrated above, by Gary Price.
Other
The Applicant is not proposing any tenant identification signage at this time. Black Ornamental Fencing
is proposed along the edge ofthe retention area and is detailed in the Final Engineering. Abike rack is
June 26, 2006
PUBUC HEARING ITEM 204
proposed but not detailed in this submittal.
FINDINGS:
· The building elevations include architectural detailing adding to their appearance and the quality of
the proposed project.
· The new buildings utilize colors and materials that complement the adjacent buildings in Jesups
Reserve and the Town Center.
· Although some ofthe following comments may appear insignificant, it is such careful attention to
detailing that will ultimately make the public places in the Town Center a true asset.
· Based on a thorough analysis of the proposed plaza area, Staff
requests the Town Center DRC require the following revisions of the
Applicant:
1- Revise the seating wall cap to be flat to accommodate seating. (The
proposed peaked cap is illustrated on the right.)
2- Place four of the trees into raised planters with seat walls.
3- Toward the east property line, continue the wall10-feetfurthereastward
before jogging it to the north. (This results in a more symmetrical wall
design and complements the symmetry of the building.)
4- Detail the relationship between the adjacent Jesups Reserve wall and the wall and columns proposed
here.
5- Extend the paving pattern to the east property line.
6- Detail and locate shorter columns.
7- Continue the established pattern of street trees (species and spacing) approved along SR 434
(Quercus virginiana Highrise 40' on center).
June 26, 2006
PUBUC HEARING ITEM 204
8- Provide Staff with detail on proposed lighting luminaries and posts. Revise stop sign detail to reflect
Town Center standard up grade.
9- A fountain area or significant piece of sculpture must be included.
10- Deviations from the Town Center Code will be required to be memorialized in a Development
Agreement before any permits are released.
STAFF RECOMMENDATION:
Based on a thorough analysis of the Applicant's submittal for Aesthetic Review, Staff recommends that
the Commission grant Approval of the Aesthetic Review package with the Condition that the Revisions
requested (above) under "Findings" be made.
ATTACHMENTS:
A. Aesthetic Review Package
COMMISSION ACTION:
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fumplemental Resource:
10 Principles for Creating Successful Squares
Small details add up to great places.
Design is only a small fraction of what goes into making a great square. To really succeed, a square
must take into account a host of factors that extend beyond its physical dimensions.
~
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2. Attractions and Destinations
Any great square has a variety of smaller "places" within
it to appeal to various people. These can include outdoor
cafes, fountains, sculpture, or a bandshell for
performances. These attractions don't need to be big to
make the square a success. In fact, some of the best civic
squares have numerous small attractions such as a vendor
cart or playground that, when put together, draw people
throughout the day.
Historically, squares have been the center of
communities and traditionally have helped
shape the identity of entire cities. Fountains
have been used to give the square a strong
image, i.e. Trevi Fountain in Rome or the
Swann Fountain in Philadelphia. The image of
many squares has been closely tied to the
great civic buildings located nearby. Today,
creating a square that becomes the most
significant place in a city--that gives identity
to whole communities--is a huge challenge,
but meeting this challenge is absolutely
necessary if great civic squares are to return.
3. Amenities
A square should feature amenities that make it
comfortable for people to use. A bench or waste
receptacle in just the right location can make a big
difference in how people choose to use a place. Lighting
can strengthen a square's identity while highlighting
specific activities, entrances, or pathways. Public art can
be a great magnet for children of all ages to come
together.
4. Flexible Design
The use of a square changes during the course of the day, week,
and year. To respond to these natural fluctuations, flexibility
needs to be built in. Instead of a permanent stage, for example, a
retractable or temporary stage could be used. Likewise, it is
important to have on-site storage for movable chairs, tables,
umbrellas, and games so they can be used at a moment's notice.
7. The Inner & the Outer Square
Ground floor retail rings the edge of this square in
Verona, Italy. The streets and sidewalks around a
square greatly affect its accessibility and use, as
do the buildings that surround it. Imagine a
square fronted on each side by 15- foot blank
walls- then, imagine that same square situated
next to a library with the doors opening onto the
square. An active, welcoming outer square is
essential to the well-being ofthe inner square.
5. Seasonal Strategy
A successful square can't flourish with just one design or
management strategy. Great squares such as Bryant Park,
the plazas of Rockefeller Center, and Detroit's new
Campus Martius change with the seasons. Skating rinks,
outdoor cafes, markets, horticulture displays, art and
sculpture help adapt our use of the space from one season
to the next.
6. Access
To be successful, a square needs to be easy to get to. The
best squares are always easily accessible by foot:
Surrounding streets are narrow; crosswalks are well
marked; lights are timed for pedestrians, not vehicles;
traffic moves slowly; and transit stops are located nearby.
A square surrounded by lanes of fast-moving traffic will
be cut off from pedestrians and deprived of its most
essential element: people.
8. Reaching Out Like an Octopus
Just as important as the edge of a square
is the way that streets, sidewalks and
ground floors of adjacent buildings lead
into it. Like the tentacles of an octopus
extending into the surrounding
neighborhood, the influence of a good
square starts at least a block away.
Vehicles slow down, walking becomes
more enjoyable, and pedestrian traffic
increases. Elements within the square are
visible from a distance, and the ground
floor activity of buildings entices
pedestrians to move toward the square.
9. The Central Role of Management
The best places are ones that people return to time
and time again. The only way to achieve this is
through a management plan that understands and
promotes ways of keeping the square safe and
lively. A good manager understands existing and
potential users and gears events to both types of
people. Good managers create a feeling of comfort
and safety in a square, fixing and maintaining it so
that people feel assured that someone is in charge.
10. Diverse Funding Sources
A well-managed square is generally beyond the scope of
the average city parks or public works department, which
is why partnerships have been established to operate most
of the best squares in the United States. These
partnerships seek to supplement what the city can provide
with funding from diverse sources, including--but not
limited to--rent from cafes, markets or other small
commercial uses on the site; taxes on adjacent properties;
film shoots; and benefit fundraisers.
Document retrieved on June 10, 2006 from:
http://www.pps.org/parks olazas squares/info/parks olazas squares articles/squares orincioles
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JUNE 26, 2006
THIS DOCUMENT WAS HANDED
OUT TO THE CITY COMMISSION
PRIOR TO THE MEETING BY MS.
ELOISE SAHLSTROM, AICP, ASLA,
SENIOR PLANNER, COMMUNITY
DEVELOPMENT DEPARTMENT
REGARDING PUBLIC HEARING
AGENDA ITEM 204.
DovER, KOHL &;;t PARTNERS
town plalllling
Memorandum
To: Eloise Sahlstrom
City of Winter Springs
Cc: Victor Dover
From: James Dougherty
Date: 26 June, 2006
Subject: _West End Plaza and S.R. 434 streetscape (~10+
Regarding tree spacing and species along S.R. 434
The line of trees on either side of S.R. 434 is the primary means for defining the space of this very
wide thoroughfare. The trees will be critical even after the road is eventually lined with buildings.
Where the frontage road is being implemented, the primary line of trees should be located in the
median between the S.R. 434 through lanes and the frontage road. In locations without a frontage
road, the primary line of trees should be between the S.R. 434 through lanes and the sidewalk.
The definition of the S.R. 434 street space will be most effective if the trees are consistent along it
throughout the length of the Town Center. The most effective configuration is for the trees to be
aligned in straight rows, spaced consistently, and to be consistent in species. The live oak trees
spaced 40' on center presently required by the City should very effectively help define S.R. 434 and
as the trees mature will grow into a truly signature space in the Town Center.
Regarding tree placement in front of the West End Plaza project
The primary line of trees (between S.R. 434 and the sidewalk) should be consistent in species and
spacing with the trees along the length of the thoroughfare. (Care should be taken if possible not to
block the view of the primary entrance of the buildings with the tree placement). A secondary line of
trees between the primary line and the buildings could mirror the primary row, or could vary from
the spacing and species of the primary row on a site-by-site basis. This secondary row could be
optimized to enhance the architectural expression of the buildings on a given parcel.
Regarding fountains in front of the West End Plaza
A fountain would be very helpful in creating a pleasant pedestrian-friendly ambiance. A fountain
would provide a visual focus but perhaps an even more importantly would essentially function as a
white noise generator, creating a soothing layer of background sound to help offset the sound of cars
moving quickly by.
Regarding steps in front of the West End Plaza
Steps would be useful to help elevate the building to give it more presence from the street. Steps
could, however, create accessability issues that would need to be overcome. Steps are not as critical
for an office building as they would be for residential uses. Having an at-grade entry with no steps
should not preclude incorporation of a fountain into the design.
Plans. images and other items produced by Dover, Kohl & Partners are for purposes of iIlustration only and do not represent a guarantee of any kind. These items are
instruments of service which remain the property of Dover, Kohl Partners and may not be duplicated without permission. Dover, Kohl & Partners shall not have control
over and shall not be responsible for construction means, procedures, safety precautions, or legal disclosures in the implementation of the project, or for errors or
omissions by future consultants, developers, contractors, or government.